BAT EYES (by TheVoicesProject)
I know Dan Prichard from his previous incarnation as a British Council Literature Department head in Singapore. He dropped me a line with the link to this short feature via Facebook, where it lay languishing in my inbox for a solid week or two before I picked up on it. Note to self: when Dan Prichard sends you some of his work to view, drop everything and watch it immediately. More info about the Voices Project via http://www.freshink.com.au/
Now feening for a ticket to Singapore. (Tentatively promised myself a trip to Australia next time I’m in that part of the world…)
Source: youtube.com
Can’t. Get. This. Song. Out. Of. My. Head. Lianne La Havas— Forget. One eye on the past and one eye on the future with the video; brings to mind old Soul II Soul, Terrance Trent Darby and other UK soul promos in styling, colour palette and temperament. Go hard, Lianne. Looking forward to more many more good things from you.
Source: youtube.com
What does poetry mean to you? Poetry Loves Company event, 01/12 (by Danielle Shaw)
I’d started into building a habit/tradition of social events for poets and writers, particularly around Christmas, for a few years up until 2010. Christmas is an interesting time for “freelance creatives”. Depending on the strength of our networks and collaborations, maybe we’re invited to a larger company’s Christmas party, but there’s little that we do for ourselves as a community. With that in mind, I started organising simple Christmas dinners at a friendly Indian restaurant off Oxford Street. We had a good run, then came 2010 (tough year for me for personal reasons) and I had to let a few things go. Rather than restarting the same tradition in 2011, I decided to do something a little different. Christmas is always a busy time, even if we’re not celebrating as a community, so why not celebrate the beginning of new year, rather than the end of an old? 2012 marked the first in what I hope will be a long run of such celebrations, attended by a number of poets and emerging writers I’ve worked with, from flipped eye, Barbican Poets, the London Teenage Poetry SLAM, Malika’s Kitchen, the Roundhouse, the Vineyard and beyond.
With so many poets in the room, it felt criminal to waste the opportunity to make something. Cue filmmaker Danielle Shaw, a Canon EOS 500D, and a few willing guinea pigs with opinions on poetry.
Thanks to Woolfson & Tay (the bookshop, café and gallery space that hosted the event) and everyone who attended, with special thanks to Indigo Williams, Dorothy Fryd, Miriam Nash, Inua Ellams, Nii Ayikwei Parkes and Katie Hale.
Next Poetry Loves Company event? Currently looking at June. Watch this space.
Source: vimeo.com
‘Birthday’, Sam Winston
Free exhibition at the Southbank Centre
Friday 27 January 2012 - Sunday 29 January 2012
Source: youtube.com
Add to 2012 task list: track down a murmuration of starlings. Need to see with my own eyes.
(via Max Wallis @ http://wedlockwinter.com/)
Source: vimeo.com
“We’ve been operating in a really noisy world, and trying to stay on top of everything… and we’re starting to want to get to the bottom of things…”
“Attention is our primary currency. We pay attention. We spend time.”
May I have your attention please? - Linda Stone
And in the same breath, the idea that “Psychologists studying the effects of a meditation technique known as “mindfulness ” found that meditation-trained participants showed a significant improvement in their critical cognitive skills (and performed significantly higher in cognitive tests than a control group) after only four days of training for only 20 minutes each day.” - via Science Daily
Source: vimeo.com
Jean-Michel Basquiat : The Radiant Child
“In his short career, Jean-Michel Basquiat was a phenomenon. He became notorious for his graffiti art under the moniker Samo in the late 1970s on the Lower East Side scene, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol. Appreciated by both the art cognoscenti and the public, Basquiat was launched into international stardom. However, soon his cult status began to override the art that had made him famous in the first place.”
Source: youtube.com