The things we craft are imbued with little pieces of us. And the relationship is reciprocal. We are changed in some way, large or small, by all that we craft.
The Pride Of Craftsmanship
“as computers get better at thinking like us and shaping our behavior,” Leon Neyfakh wrote, “they can also be rewired to spring us free.” @YouAreCarrying is proof of that maxim and replaces usefulness with creativity. Just as the Surrealists deployed the “Exquisite Corpse” to spark their imaginations, Vestal sees a similar purpose. “It helps kickstart people’s imagination,” Vestal says. “How do I get to this point where I have an aspirin, a subatomic drive and the Elven sword of antiquity?” There is no answer, but the indiscernibility is part of @YouAreCarrying’s mission. It’s a prompt to ponder and encourages one to solicit others for feedback. “People want to share what they’re carrying,” Vestal says. “It’s like opening up a present on Christmas day.” And what a strange and glorious Christmas that must be.

Twitter bot turns text adventures inventories into a sea of creativity - Kill Screen - Videogame Arts & Culture.

CHALLENGE: Tweet “i” or “inventory” to @YouAreCarrying and write a poem that includes/references the items you get back. Double dare ya.

Oh, and holler back if you actually do.

Race was naive enough to think that dyeing her hair was enough to alter the pigment of her name, the nature of her shadow. She tried lime green to generate more zest, a fiery red to suggest deep-seated passions, even black, for that laid back retro look. But nothing changed. People walked past her on the street, eyes averted, clasping their gaudy shopping bags watchfully. In school she sat in the corners, hoping to blend in with the cracked paint. Her lovers continued to call her by other names when making love. In the dark, and in the throes of ecstasy, they claimed, everyone looked the same. It was easy to be confused, Race was not convinced. She felt different inside, a place where moonlight could not reach. She tried using a microscope, a DNA test, her rose-tinted glasses, but could not figure out why the softly pulsing engine of her being remained invisible to her. Did she not have a name? A history? And did she not buy her own clothes with money she earned the same way as everyone else? Disappointed, Race realised that her should was not the sum of her choices, nor her genes a composite of caresses and strokes leading up to her conception. She envied her friends, the purity of their obliviousness, how they wore their hair casually long and streaked with gold, gleaming against their skin beneath, gleaming agains their skin, beneath which the blood coursed, without question, like a final answer. She wondered if she peeled back their flesh, unhinged the bone, eased apart the knotted sinews, whether she should also find nothingness there: a space worn away in the shape of their own silence; what colour it must be.

- “Race”, What Gives Us Our Names by Alvin Pang

If you’re a regular visitor, you’ll have heard me mention Alvin before. If you’re unfamiliar with his work, I’m happy for you— it means you have a joyous discovery ahead. That said, don’t delay…

Technology has made different kinds of poets out of us. Together we sing ghost songs. We have haunted mouths, and speaking flesh. Together we imagine impossible things that I can write, but not make. Together we make things that I cannot imagine. We barter noisily like grandmothers. Because I am a writer, and trade in poetry, so I tempt technology to do the same.
Jools Gilson-Ellis
Late night experiments with D3.js powered poetry, and a word tree tool developed by Jason Davies. Going to have to acquire some new coding skills soon. Bring it on…

Late night experiments with D3.js powered poetry, and a word tree tool developed by Jason Davies. Going to have to acquire some new coding skills soon. Bring it on…

You want to be in a spot where you can respond to the world. If an idea hits you, then you can do it in some form…you don’t need permission from anyone to do awesome things. All you need is the time and space to work on it.
Frank Chimero on The Great Discontent (TGD)
The author suggests that, in this world of limited attention spans, the serious writer may have to parcel out his or her writing into shorter sections or volumes, in order for anything like the eloquent and verbose reading of prior eras to remain. An idea worth considering: could this trend toward short reads give rise to a deeper appreciation of poetry in the future? It’s thought-provoking and often mind-taxing, true—but it’s short. Or at least, some of it is. It would be interesting to see whether poetry makes a comeback in the future.

Reading & the “Attention War” | The American Conservative

Uh, comeback? I know poetry isn’t considered a “mainstream” concern, but comeback? Hm.

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