miscellany

The ‘passive supporter problem’ (if it can/should be called that!?) is, of course, not only prevalent in the magazine scene, I think it can be applied to all ‘indie’ makers out there. I can easily think of a handful of app developers and bloggers with tons of supporters that really want to see the project grow and succeed, but that rarely take practical action (in most cases by signing up for a paid account, paying a small membership fee, etc.) to actively enable the creators to continue the work they appreciate.

What Goes Around Comes Around— Offscreen Mag Blog

I’ve been thinking a lot about passive supporters recently, and how we transform them into active supporters. I manage a few communities, and I’ve always come up against a Pareto weighted breakdown of participation: 20% of the people involved make 80% of the effort required to keep the community/enterprise/initiative going. Which is not sustainable (can we say: burnout?).

I’m thinking about solutions. Maybe we need to consider active expansions and contractions. Maybe on a regular cycle you need to rededicate to your core audience, to draw a line and define what it means to be a supporter. At this point, you may well lose some of the “passive support”. And maybe that’s a good thing. Maybe that allows you to move forward with clarity and focus, which could in turn entice new supporters? Something like razing a field to have it grow back. Burn it all down, but the enterprise (if strong enough) will survive…

1: write the poem. The language of it. The actual words are important. The music is as important as the idea. If the music isn’t there, the idea doesn’t take flight.

2: don’t get precious. Write until you find your way. You’re a millionaire of words. Speculate to accumulate.

3: figure out how to get into the sweet spot between idea and music as quickly as possible, ever more directly.

4: no time to second guess yourself. That’s what later is for.

You don’t get to decide the truth. Other people have their own experiences, just as valid. This is easy to forget. Your slice of life seems so large and unmistakeable, like a mirage of wholeness from where you stand. But it is your job to know better and not confuse your small piece for the whole, even if you sometimes forget. Life is big—much bigger than just yours.

Frank Chimero – The Only Note To Self

When we teach poetry, we often encourage poets to deepen their internal focus or extend their technical range and critical faculties. How often do we encourage people to engage with other people, other perspectives? To not just look beyond themselves, but to actually attend to other people, real people, in a meaningful and authentic way?

I showed you a picture I took that day using the camera that leaks light in a way that makes me want to cry, makes me want to move to Mount Fuji and paint my life onto 8×10 transparencies. About the picture, you said that’s how it felt, but not how it looked. How could that be? I held the cold aperture-ring with my fingers and pressed the shutter gently enough, trusting to the chemicals on cold film and the tenets of sympathetic magic.
Time Expanding the Air Forcibly— Sam Ross
It’s even more complicated than this, because within the two extreme primary identity states, there have to be many different voices. As a generator, you must be able to convincingly take on a vast plurality of languages, perspectives, opinions. You have to see the world from the point of view of a man or woman, animal, plant, rock, cloud, microbe. Really see it, not just dress yourself up in a chimpanzee costume and jump around. You have to be the beast. And the critic has to sit in every seat in the house, listen to hear if the sound is coming through, check sightlines from every angle, can the front row see the tenor sweating too much, does the soprano project to the cheap seats, do the backdrops look ridiculous when you turn up the house lights for the finale, will kids be able to sit through it, will old people be offended by the jokes, is it too risqué for the sponsor, or too middle-of-the-road for the enthusiasts? And the moderator has to be there all along reminding both extremes that none of this actually matters; it’s all illusion, unless it’s serving a higher purpose.

Work: Surviving the Arts | [PANK] by Scott Pinkmountain

This, and: “Once you’ve established the partitioning, work.”

one-offs-from-slb79:


apoetreflects:

"I have no shrewd advice to offer developing writers about this business of snatching time and space to work.  I do not have anything profound to offer mother-writers or worker-writers except to say that it will cost you something.  Anything of value is going to cost you something."
—Toni Cade Bambara, author, filmmaker, feminist, professor and social activist

All. this. truth. (cc:
grownladynotebook
)

one-offs-from-slb79:

apoetreflects:

"I have no shrewd advice to offer developing writers about this business of snatching time and space to work.  I do not have anything profound to offer mother-writers or worker-writers except to say that it will cost you something.  Anything of value is going to cost you something."

—Toni Cade Bambara, author, filmmaker, feminist, professor and social activist

All. this. truth. (cc:
grownladynotebook
)

(via thomasmensah)

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